The Insights section gathers the research and visual work of Junita Arneld, tracing the intersections between field study, photography, and written reflection.
Each project extends from lived experienceâbridging local knowledge, museum collaboration, and academic inquiry.
Essays, catalogues, and talks presented here reflect a continuing dialogue between image and text, object and interpretation, revealing how Indonesian material culture speaks across disciplines and geographies.
Museum assignments, exhibition photography, and documentary series undertaken by Junita Arneld for museum in Switzerland and partner institutions.
Concise readings across masks, posts, carriers, and ritual implements
Barong pairs embody protection and balance; they appear at moments of cleansing and return.
In temple cycles and village processions, masks are moved, dressed, and addressedâobjects with duties, not decor.
From Sanskrit courts to river posts: the lotus travels with language, ritual, and taste.
On posts and altars, the rosette signals life-force; triangles ring emergenceâfigure from flower.
Beads, bells, teeth: materials that signal rankâand guard the back.
Carriers circulate within families across births; when retired, they remain as biography in things.
Tuntun and kelulong: measuring tools that become ritual agents.
Carved figures invite assistance; rice stakes stand sentry over fields and stores.
Ironwood, heart-face, vegetal scrollsâpresence carved for ceremony.
Tripartite build, animals in the round: traits that anchor the post within a ritual field.
A modern eye met an older theatreâsurrealists noticed.
Eccentric forms and arabesques aligned with avant-garde curiositiesâwithout claiming lineage.